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Mass for 3 Voices / 6 Motets

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Mass for 3 Voices / 6 Motets

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Editorial Reviews

Product description

Messe à 3 voix - 6 Motets / Consortium Carissimi, dir. Vittorio Zanon

Review

Since the death of Giacomo Carissimi (1606-74), his liturgical music – which includes over 100 motets (with as many again of doubtful authenticity) and a small handful of Masses – has received little attention. Eighteenth-century writers concentrated on his numerous secular cantatas, some even attributing the genre's invention to him. Today, we know Carissimi primarily as a sacred oratorio composer.The only previous Carissimi Mass recording I have heard is Le Istitutioni Harmoniche's disc of the Missa Sciolto havean dall'alte sponde (on Stradivarius). That work's deliberately archaic Roman 'colossal' style is very different from that of the Mass recorded here. Carissimi may have refused to apply for the recently deceased Monteverdi's post at St Mark's in 1643, but he was in many ways Monteverdi's artistic successor. Set for three voices and continuo, this Mass is in thoroughly seconda prattica style, alternating self-contained sections in learned counterpoint with free ariosos and, occasionally, passages in which the voices interweave nimbly over jaunty ciacconas and other ground basses. The accompanying six motets on exclusively Biblical texts sound more theatrical than liturgical in inspiration and may have been performed in similar circumstances to the oratorios.Consortium Carissimi consist of only a solo tenor, baritone and bass with a small continuo team. The very low pitch customary in early-seventeenth-century Rome obviates the need for any higher voices. The singing is remarkably attractive, combining minimal vibrato with a tonal flexibility and an agility perfect for the text-centred aesthetic of early-seventeenth-century music. I unreservedly recommend these beautiful, well-paced and finely fashioned performances. Christopher Price -- From International Record Review - subscribe now

Mass for 3 Voices / 6 Motets




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